Créer c’est vivre 2 fois — B.I. International Poster Art Biennale, Korea
Nelli Kamaeva
Poster
A festival announcement where smooth biomorphic shapes and hard digital type share one frame — order and accident together, which is roughly what a festival feels like from the inside.
A festival announcement — "Krosno Design Festival, 2025 summer" — built on a tension: order and accident in the same frame, which is roughly what a festival feels like from the inside.
Set on deep black so the color has somewhere to glow, soft organic shapes in cream, coral, orange and yellow pool across the lower half like spilled paint refusing to dry, while the type keeps changing its mind: a rounded display face for KROSNO, a blocky pixelated treatment for FESTIVAL, as if two eras of lettering were sharing a stage.
The tension is the point. The piece went to the 7th International Poster Biennale in Lublin, a long-running guardian of the Polish School of Posters that puts established names and newcomers on the same walls.
Links & coverage. Official: https://gallerybi.com/posterbiennale · https://www.facebook.com/p/Gallery-BI-BI-International-Poster-Art-Biennale-100071789321074/ · https://gallerybi.com/140. Press & coverage: PosterReview (Estonian Poster Museum) — https://posterreview.eu/competitions/2025-bi-korea/ · CooterMag — https://cootermag.com/competitions/call-for-entries-b-i-international-poster-art-biennale-2025/ · Behance (UnderStudio) — https://www.behance.net/gallery/227917773/BI-Int-Poster-Art-Biennale-in-South-Korea-2025 · PosterTerritory — https://www.posterterritory.com/b-i-international-poster-art-biennale-2025/.
A festival announcement — "Krosno Design Festival, 2025 summer" — built on a tension: order and accident in the same frame, which is roughly what a festival feels like from the inside.
Set on deep black so the color has somewhere to glow, soft organic shapes in cream, coral, orange and yellow pool across the lower half like spilled paint refusing to dry, while the type keeps changing its mind: a rounded display face for KROSNO, a blocky pixelated treatment for FESTIVAL, as if two eras of lettering were sharing a stage.
The tension is the point. The piece went to the 7th International Poster Biennale in Lublin, a long-running guardian of the Polish School of Posters that puts established names and newcomers on the same walls.
Links & coverage. Official: https://gallerybi.com/posterbiennale · https://www.facebook.com/p/Gallery-BI-BI-International-Poster-Art-Biennale-100071789321074/ · https://gallerybi.com/140. Press & coverage: PosterReview (Estonian Poster Museum) — https://posterreview.eu/competitions/2025-bi-korea/ · CooterMag — https://cootermag.com/competitions/call-for-entries-b-i-international-poster-art-biennale-2025/ · Behance (UnderStudio) — https://www.behance.net/gallery/227917773/BI-Int-Poster-Art-Biennale-in-South-Korea-2025 · PosterTerritory — https://www.posterterritory.com/b-i-international-poster-art-biennale-2025/.
Créer c’est vivre 2 fois — B.I. International Poster Art Biennale, Korea
Nelli Kamaeva
